Secondary Art

Printmaking Workshop at KokoTEN Studio 

Our focus artist during the trip was Gadi Ramadhani who is a visual artist, arts educator, and independent curator, with a specialty in printmaking. He is the founder and Artistic Director of KokoTEN Studio, a multi-purpose space to develop art in Tanzania vis-à-vis the world, particularly the Global South. Through printmaking, Gadi explores contemporary issues including consumer culture and society. Through arts education and mentoring, he supports a multi-vocal artistic community, both locally and globally. Previously, Gadi served as a Project Manager for Nafasi Art Space, 2009-2011, and Head Curator for Vipaji Gallery, 2015. His work ranges from intimate gallery pieces to large outdoor public installations.

The students learnt a lot from this artist including a bit of printmaking theory as well as practically making their own artworks under his guidance.

What Is Printmaking?

Printmaking is an artistic process based on the principle of transferring images from a matrix onto another surface, most often paper or fabric. Traditional printmaking techniques include woodcut, etching, engraving, and lithography, while modern artists have expanded available techniques to include screenprinting. A matrix is essentially a template, and can be made of wood, metal, or glass. At the studio, the matrix was acetate paper which students explored to make their monoprints.

Rangi Gallery exhibition by Lilian Munuo

The students also got to see Lilian Munuo’s string art installations at Rangi Gallery. Lilian Munuo is a Tanzanian artist known for her unique and innovative string art. String art is a form of artistic expression where threads are meticulously woven or wrapped around nails or pins to create intricate patterns, shapes, and images. Lilian's work often features geometric designs, portraits, and representations of African cultural elements, using thread to bring her visions to life with precision and beauty.

Her string art stands out for its blend of modern techniques and traditional African aesthetics, showcasing her deep connection to Tanzanian culture and heritage. She often incorporates vibrant colours and abstract patterns that reflect the rich artistic traditions of East Africa. Through her creative process, Lilian seeks to bridge the gap between traditional craft and contemporary art, making her a leading figure in Tanzania’s growing art scene.

Lilian's work has garnered attention locally and internationally, as she continues to push the boundaries of string art with new ideas, materials, and styles. Her dedication to her craft and ability to elevate string art into fine art has made her a source of inspiration for young artists across the region.